Sean Lemme

I started blogging as a way to lazily pass my high school senior project and somehow I've kept doing it for more than half my life

Oscars Fortnight: Deliverance

Deliverance (1972)

45th Academy Awards (1973)
Nominations:
3
Wins: 0

Two scenes from the 1972 thriller Deliverance have such an outsized cultural footprint that I hesitated for years to watch it. Despite everyone (especially John) insisting it was awesome, I’d already seen the iconic “Dueling Banjos” scene and heard about the infamous “squeal like a pig” moment, so I just filled in the blanks myself. I imagined an unpleasant horror film — a nightmarish descent into madness the likes of which I already kind of know I don’t have the stomach for. Boy, was I wrong… except about my preconceived notion that nature should be appreciated from afar. Deliverance did not inspire me to do any more up river rafting anytime soon.

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Oscars Fortnight: A Man for All Seasons

A Man for All Seasons (1966)

39th Academy Awards (1967)
Nominations:
8
Wins: 6

Early in the morning of December 4, 2024, a masked gunman assassinated UnitedHealthcare CEO Brian Thompson in New York City. The shooter’s spent cases had the words “delay, deny, depose” written on them, similar to the insurance industry’s famous phrase “delay, deny, defend,” which refers to the extreme effort companies put into not paying out claims. Five days later, following a nationwide manhunt, Luigi Nicholas Mangione, a 26-year-old data engineer with no prior criminal record, was arrested at a McDonald’s in Altoona, Pennsylvania. As the prime suspect in the killing, Mangione is currently facing 11 charges in New York state and four federal charges, including a murder charge that makes him eligible for the death penalty.

Among Mangione’s personal effects was a 262-word document about the corruption and failure American healthcare system. A deep dive into Mangione’s social media presence makes it difficult to put him in a box, perhaps the only label that fits him is “anti-system.” And that ideological ambiguity coupled with seeming moral consistency has helped turn Mangione into a folk hero. Mangione has become the subject of memes, look-alike contests, protests, and even a sex tape hoax. Supporters are donating to his jail commissary and writing him letters and sharing online his heartfelt responses. There is even merch being sold online that depicts Mangione as a Catholic saint, just like Sir Thomas More, the subject of A Man for All Seasons.

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Oscars Fortnight: Judgment at Nuremberg

Judgment at Nuremberg (1961)

34th Academy Awards (1962)
Nominations:
12
Wins: 3

Stanley Kramer did not fuck around. Hollywood’s king of “heavy dramas” made sure every time he got to make a movie, it was important (and often set in a courtroom, even if he wasn’t the director). Case in point, Judgment at Nuremberg, a fictionalized version of one of the 12 Nuremberg Military Tribunals that weren’t even popular when they happened. That was 1947, two years after the war, and Americans were more interested in restarting their lives at home than thinking about the past. That goes doubly for the German people, whose immense guilt and shame forced them to claim ignorance of the atrocities the Nazis inflicted upon the world. And America was fine with that, because we might need Germany’s support in the growing Cold War. Yeah, it’s pretty clear from the beginning that with Judgment at Nuremberg, Kramer is giving us a pill that’s hard to swallow. But, like all medicine, the bitter taste is worth it.

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Oscars Fortnight: Mrs. Miniver

Mrs. Miniver (1942)

15th Academy Awards (1943)
Nominations:
12
Wins: 6

I’m writing about Mrs. Miniver today because this Sunday Adrien Brody broke Greer Garson’s Guinness World Record for longest Oscars acceptance speech, which had stood for more than 80 years. How’s that for a state of affairs for the Academy Awards? Here’s the thing… as much shit as Hollywood gets, I’m rooting for it. I think that, more than most of the world, Hollywood has genuinely tried to be a better, more inclusive place year over year, even if that effort is most often merely superficial. Hey, you know, with so many people decrying the increasingly vague term “woke,” I’m inclined at this point to give props for anyone seeming to sincerely try to be better. More than that, I know that the real people who make movies, the vast majority of these people, are hardworking, passionate dreamers and that’s cool as hell. And yet, every year more and more people seem to care less and less about cinema in general and this ceremony in particular.

As the veil gets pulled back further and also farther, it’s become impossible to deny that the Academy Awards (and all of awards season) is a sport. A game played by some of the worst people in the world who spend ungodly amounts of money in the hopes of earning… clout, I guess? These days, the movies that get Oscars are the movies that are made by studios who hired awards consultant firms when they greenlit the picture. These awards, like so much of our reality now, are defined by billionaires trying to fill holes in their hearts. Oscar prestige, if there ever really was such a thing, is almost totally meaningless in 2025. It’s not really the case anymore that an Oscar will change career trajectories or shine a light on a diamond in the rough. Best case scenario, an Oscar is a trophy that says you played the game best. More often than not, it’s just a piece of bar trivia.

Does it have to be this way? Was it always this way? And what the hell does this have to do with Mrs. Miniver?

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Sean’s Top 10 Movies of 2024

It’s only been a few days but it’s become abundantly clear that our disorienting four-year weird period is definitely over and we’re back in the shit. I don’t know how I’ll remember 2024 in the years to come, but right now it’s the little things I treasure. Thinking back to John and I laughing at the title card reveal at the end of the trailer for AfrAId. An undeserved accusing look from Nancy during Dune: Part 2 because I definitely was not asleep. Being called a fucking asshole by an old man for sneaking back into Cinerama to look for something my dad dropped after a screening of Godzilla x Kong: The New Empire. Overdosing on the Babes-inspired Sour Patch Kids popcorn at Nosferatu with Colin. These are the experiences that make life worth living.

All I know is that no one can take those memories away from me. And if you’re feeling down, at times like these, I am reminded of the immortal words of Stacker Pentecost:

Today. Today, at the edge of our hope, at the end of our time, we have chosen not only to believe in ourselves, but in each other. Today there is not a man nor woman in here that shall stand alone. Not today. Today we face the monsters that are at our door and bring the fight to them! Today we are cancelling the apocalypse!

In conclusion, I guess I have to pick an audience to represent? Because John said he fights for the freaks and perverts and then Colin wrote he’s here for the thoughtful misfits. Does that leave for me the normies? The good-time Charlies? The kind of person M. Emmet Walsh would call a “typical bastard”? Maybe, except those nut jobs loved Deadpool 3 and that shit gives me a migraine just thinkin’ about it.

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Sean’s Top Five Shows of 2024

Well, congratulations Hollywood, you did it. You’ve fractured the landscape of television so completely that if you’re not watching something in the same room as someone else, no one has any idea what the hell you’re talking about anymore. And it’s not just about community: TV criticism has all but been killed off and with so many streaming services now (and the crackdown on password sharing), it’s too expensive to even try to keep up with everything anyway, so the sense of urgency when it comes to shows is just gone. It’s so bad, we decided to do top fives this year instead of 10 because this has become a futile and stupid gesture. And the saddest thing of all? While this is all happening, creatives are still making a lot of good TV, arguably too much good stuff!

I have got a long list of shows that are supposed to be great that I just never made time for, shows like Bad Monkey, The Diplomat, Jerrod Carmichael: Reality Show, Shrinking, Silo, and Slow Horses. And another list of franchise shows I definitely, actively want to watch like The Acolyte, Fallout, House of the Dragon, Penguin, Rings of Power, and Skeleton Crew. But fuck it, they just never happened for me in 2024 because I was too busy watching One Piece at the time or I wasn’t subscribed to the right streaming service at the time or I was still too burnt out on meaningless Star Wars prequel movies stretched out into miniseries.

Can we come back from this? I sure hope so. I still haven’t given up on my watchlist. Maybe we just need everyone in America/the world to start a blog and do annual top tens? Or suddenly all try to care about the Emmys at least as much as we care about the Oscars? Maybe putting some effort into thinking about the media we consumed all year instead of just letting an algorithm tell us (or an AI in Spotify Wrapped’s case) could be good for us all? In the meantime, let’s at least try to keep in mind that while the era of peak TV might be over, that doesn’t mean the medium has been reduced to just reality junk and mindless reruns.

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Sean’s Top 10 Albums of 2024

To paraphrase Colin, while TV and movies were dealt another brutal blow by the strikes last year, the music industry felt fully back in swing as we closed out the first half of this decade. Finally, it seemed like there was more going on than songs about isolation during the pandemic or leftover relics from the 2010s! Perhaps not coincidentally, this corresponded with era of girl pop hitting its zenith (or perhaps merely just new heights) with Spotify’s data showing that women dominated the lists of most-streamed artists, songs, and albums of 2024. On top of that, long-dormant artists like Camera Obscura and Jamie xx showed up with pretty good new albums and others, like The Smile and Charley Crockett, couldn’t help but put out multiple complete LPs. I’ll just say it, 2024 was an embarrassment of riches!

But here’s what’s freaking me out: at the end of every year, I scoop up a bunch of albums from other “best of” lists and cram them into my ears as fast as possible so I can make the actual, definitive, best top 10 list on the Internet (not really, usually I crap out and make a big apologetic post). The thing is, at some point in late 2023, I definitely did stream The Rise and Fall of a Midwest Princess and yet not only did Chappell Roan *not* make last year’s list, I totally forgot about her until the Guts World Tour turned this sleeper hit into a smash.

Of course, the second time around I fell in love with Chappell Roan like everyone else, and her follow-up single “Good Luck, Babe!” was 100% my #1 summer jam, despite allegations of it being a BRAT summer. But there are precious months where I could have been way more on top of my shit instead of wasting my time on the mental gymnastics that could justify THE TORTURED POETS DEPARTMENT as really good, actually. So what does that mean? What lesson have I learned from this humbling experience? Listen to new music more times, I guess. Don’t be a boring old guy? Oh no, more on that later!

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